Ten curated Scope NYC picks for Sunday, June 21.
BAM's screening of Masahiro Shinoda's mythic period film earns the second cinema slot through its rare combination of visual rigor and repertory scale.
The Tank is a natural home for this pointed feminist theater piece, a downtown matinee with a sharper identity than the day's Broadway defaults.
Graves' flamenco language is shaped by Black diasporic inquiry, giving the afternoon performance a distinct point of view beyond the usual institutional dance calendar.
Anthology remains the definitive setting for Brakhage's handmade cinema, and the self-reflective program gives experimental film a serious Sunday anchor.
The solstice opening turns the new Socrates annual into a timed waterfront gathering, with the social energy that an all-day exhibition listing cannot offer.
Pink Siifu's benefit set at SOB's gives Father's Day a community-minded, artist-driven finale instead of another generic holiday party.
Jazztopad packs a musician-led international lineup into Close Up, where the small setting should keep the festival set exploratory and immediate.
ElSaffar and Bianchi Hoesch bring acoustic and electronic languages together at National Sawdust, a focused collaboration with more shape than a routine Sunday booking.
Hersch, Gress, and Erskine close their Vanguard run with a trio built for the basement's exacting focus, the day's clearest straight-ahead jazz destination.
Pioneer Works gives this saxophone, electronics, and DJ bill enough scale to turn an experimental program into a proper Red Hook night out.