A live Scope NYC view of film events in New York for Saturday, September 26, 2026.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Two isolated Scottish siblings face an awkward council official sent to evacuate their island in Louis Paxton’s comedy.
Romancing The Stone screens at Nitehawk Cinema Williamsburg as part of 80s Bombshell: Kathleen Turner at Nitehawk Cinema.
2026 Sundance Film Festival Short Film Tour screens at IFC Center with oCAP.
The Great Mouse Detective screens at Nitehawk Cinema Williamsburg as part of nostalgia, ULTRA. at Nitehawk Cinema on a 35mm print.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
60 Years of Jim Henson’s Time Piece screens at Museum of the Moving Image as part of Jim Henson's World.
Forbidden Planet screens at Nitehawk Cinema Prospect Park as part of Classic Pictures at Nitehawk Cinema on a 35mm print.
The Sound of Music screens at Paris Theater as part of Big & Loud 2026 on a 70mm print.
Branching Streams Flow in the Darkness screens at Film at Lincoln Center as part of 64th New York Film Festival, with a Q&A w. Yixuan Zhang, Josh Weissbach, Ben Balcom, Natalia Marín, Jamie Crewe, and Tatsu Aoki on a 16mm print.
Juice screens at Nitehawk Cinema Prospect Park as part of A Tribute to Tupac at Nitehawk Cinema.
The Double screens at Metrograph as part of The Office of Emptiness.
A location scout searches New York interiors for a television pilot, navigating intimate encounters, parking tickets and the invisible labor of filmmaking.
YOU HAD TO BE THERE: HOW THE TORONTO GODSPELL IGNITED THE COMEDY REVOLUTION… Opens Friday, September 18
Douglas Keeve follows Isaac Mizrahi through the pressures of his 1994 collection, now presented in a new 4K restoration.
A teenage golf-club worker discovers the inequality and violence beneath an elite Manila resort’s immaculate lawns and polite rituals.
A documentary on New College’s takeover, followed by a PEN America discussion with Patrick Bresnan and campus voices.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
9 To 5 screens at IFC Center as part of Dolly Parton: IFC Center Will Always Love You.
A Korean adoptee with a cognitive disability and her family confront changing caregiving needs in Liz Sargent’s debut drama.
The Muppet Show: 50 Greatest Moments screens at Museum of the Moving Image as part of Jim Henson's World with jim Henson Legacy President Craig Shemin in person.
Talladega Nights: The Ballad of Ricky Bobby screens at BAM as part of The American Cinema Under George W. Bush.
Quotidian Pleasures screens at Museum of Modern Art as part of Long Live the Underground! Celebrating Six Decades of the Film-Makers’ Cooperative and Millennium Film Workshop on a 16mm print.
The Blade screens at Metrograph as part of Don't Play with Fire: The Films of Tsui Hark.
The Departed screens at Roxy Cinema New York as part of 2006 Movies You Must See Before You Die on a 35mm print.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Two isolated Scottish siblings face an awkward council official sent to evacuate their island in Louis Paxton’s comedy.
Iphigenia screens at Metrograph as part of Classical Cinema on a 16mm print.
Douglas Keeve follows Isaac Mizrahi through the pressures of his 1994 collection, now presented in a new 4K restoration.
A location scout searches New York interiors for a television pilot, navigating intimate encounters, parking tickets and the invisible labor of filmmaking.
YOU HAD TO BE THERE: HOW THE TORONTO GODSPELL IGNITED THE COMEDY REVOLUTION… Opens Friday, September 18 with dCP open captions show.
A teenage golf-club worker discovers the inequality and violence beneath an elite Manila resort’s immaculate lawns and polite rituals.
Alex Gibney follows Salman Rushdie’s recovery after the 2022 attack, exploring survival, love and the stakes of free expression.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.