A live Scope NYC view of film events in New York for Friday, September 25, 2026.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Two isolated Scottish siblings face an awkward council official sent to evacuate their island in Louis Paxton’s comedy.
2026 Sundance Film Festival Short Film Tour screens at IFC Center with oCAP.
The Bridge on the River Kwai screens at Paris Theater as part of Big & Loud 2026 with 4K Restoration.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Alex Gibney follows Salman Rushdie’s recovery after the 2022 attack, exploring survival, love and the stakes of free expression.
A location scout searches New York interiors for a television pilot, navigating intimate encounters, parking tickets and the invisible labor of filmmaking.
YOU HAD TO BE THERE: HOW THE TORONTO GODSPELL IGNITED THE COMEDY REVOLUTION… Opens Friday, September 18
Douglas Keeve follows Isaac Mizrahi through the pressures of his 1994 collection, now presented in a new 4K restoration.
A teenage golf-club worker discovers the inequality and violence beneath an elite Manila resort’s immaculate lawns and polite rituals.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Six divas of the silver screen – Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis and Julia Roberts – come together as bosom buddies in this hilarious and...
A Korean adoptee with a cognitive disability and her family confront changing caregiving needs in Liz Sargent’s debut drama.
Amreeka screens at BAM as part of The American Cinema Under George W. Bush.
Patrick Bresnan documents students and professors confronting the political takeover of New College of Florida and threats to academic freedom.
Two isolated Scottish siblings face an awkward council official sent to evacuate their island in Louis Paxton’s comedy.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Douglas Keeve follows Isaac Mizrahi through the pressures of his 1994 collection, now presented in a new 4K restoration.
A location scout searches New York interiors for a television pilot, navigating intimate encounters, parking tickets and the invisible labor of filmmaking.
YOU HAD TO BE THERE: HOW THE TORONTO GODSPELL IGNITED THE COMEDY REVOLUTION… Opens Friday, September 18
The Wedding Banquet screens at Metrograph as part of Jiā: Histories of Home on a 35mm print.
A teenage golf-club worker discovers the inequality and violence beneath an elite Manila resort’s immaculate lawns and polite rituals.
Mad Max: Fury Road screens at Paris Theater as part of Big & Loud 2026 with in Dolby Atmos.
Alex Gibney follows Salman Rushdie’s recovery after the 2022 attack, exploring survival, love and the stakes of free expression.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.
Seventies Structures screens at Museum of Modern Art as part of Long Live the Underground! Celebrating Six Decades of the Film-Makers’ Cooperative and Millennium Film Workshop on a 16mm print.
Douglas Keeve follows Isaac Mizrahi through the pressures of his 1994 collection, now presented in a new 4K restoration.
A Korean adoptee with a cognitive disability and her family confront changing caregiving needs in Liz Sargent’s debut drama.
A location scout searches New York interiors for a television pilot, navigating intimate encounters, parking tickets and the invisible labor of filmmaking.
Patrick Bresnan documents students and professors confronting the political takeover of New College of Florida and threats to academic freedom.
Her Will Be Done screens at Roxy Cinema New York with a Q&A with Julia Kowaksi and Roxane Mesquida following screening.
Christian children attend a camp designed to mold “God’s army” in this revealing documentary. as part of The American Cinema Under George W. Bush.
John Wilson applies lessons from a Hallmark filmmaking workshop to an unlikely documentary subject: concrete and the lives built around it.